Woody: “None of us would introduce new compositional principles. Music was very strong in composing, and the syntax of film was strong in composing with story or narrative units … In our cause we never pretended composition. All our works are linear, in the form of demos, bringing certain artifacts or phenomenologies out … This was our fate, to bring those processes and take them from the technological environment and to bring them closer to art, from the technological to the aesthetic. And I think if we will ever be remembered, it will be for making the transition between these two points, and we volunteered for this because we found it most interesting.”